![\"untertauchen1212\"\/](\"https:\/\/i0.wp.com\/imageshack.us\/a\/img717\/3408\/74229564933786866376112.jpg?w=800\")
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Maschinendeck: Techno Komb\u00fcse: House 23:00 Einlass Jerome Sydenham hat die neue Tauchsaison grandios er\u00f6ffnet und gezeigt wie man feiert wenn der Rahmen stimmt. http:\/\/www.xlr8r.com\/podcast\/2012\/10\/deadbeat DEADBEAT INFO<\/p>\n \u201cWhen I received the news a few months ago that ~scape was officially closing its doors, I was incredibly sad to hear it.\u201d says Deadbeat is one Scott Monteith, a long time Montrealer and recent Berlin ex-pat who has been releasing his own special blend of dub laden, Jerome Sydenham hat die neue Tauchsaison grandios er\u00f6ffnet und gezeigt wie man feiert wenn der Rahmen stimmt.
\nDEADBEAT live<\/strong> [Wagon Repair, BLKRTZ, ~scape, Montreal\/Berlin]\nMIKE DNMK<\/strong> [GB, Quartier Midi]\nVlight.to<\/strong> [Live Visuals]\n
\nTim Schumacher<\/strong> (terpsiton\/vfmm)
\nSubtil<\/strong><\/p>\n
\n10\u20ac Eintritt<\/p>\n
\nF\u00fcr Issue Nummer zwei haben wir Scott Monteith aka DEADBEAT aus Montreal f\u00fcr ein Live-Set eingeladen. House & Techno trifft auf
\nallerfeinste Dub Vibes. Gro\u00dfartige Beats und tiefste Bassfrequenzen sind typisch f\u00fcr den Wahlberliner, der uns mit seinem Album
\nROOTS AND WIRE auf WAGON REPAIR bereits in 2008 \u00fcberzeugte. Nachdem Scott 7 Alben ver\u00f6ffentlicht hatte, startete er in 2011 sein
\neigenes Label BLKRTZ, um seinen Entwurf von dubbiger Clubmusik noch weiter nach seinen Vorstellungen zu entwickeln.
\nWir freuen uns EXTREMST auf ein Live Set der ersten Produktionsliga. \ud83d\ude42<\/p>\n
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\nMonteith from his new home in Berlin. \u201cThough I hadn\u2019t worked with them in a few years, I always saw ~scape as the natural home
\nfor a very important part of my work. Not necessarily the more listening side of things per se, but certainly the most unconcerned
\nwith genre or function, from a creative stand point the most free I guess. Barbara and Stefan worked very hard to promote a great
\ndeal of quite marginalized material over the years and did a lot to help me and many other artists out personally who otherwise would
\nhave had a much harder time of it. Though I\u2019ll be concentrating on my own work for the first few releases, it\u2019s my hope that BLKRTZ
\ncan serve a similarly honorable purpose in the years to come.\u201d<\/em><\/p>\n
\nminimal electronics since 2000, for labels such as Cynosure, Scape, and Wagon Repair to name but a few. His work has been met with consistent
\ncritical acclaim from the industry’s leading publications and websites, and drawn regular performance invitations for some of the world’s most
\nrespected festivals, including Barcelona’s Sonar, Berlin’s Transmediale, and Montreal’s own Mutek. From 1999 to late 2003, Scott worked,
\nassuming various roles, for the Montreal based company Applied Acoustics Systems, makers of a range of critically acclaimed software synthesizers.
\nHaving now moved on to pursue his own musical efforts full time, the experience left him with a passion for the development of new creative
\ninterfaces, and a strong grasp of some the most cutting edge technology in the industry. A certified music technology junkie, his knowledge
\nin such matters has been occasionally called upon at various events, most notably the 2007 edition of the Red Bull Music Academy in Melbourne,
\nAustralia, and as a writer for Computer Music Magazine. Whether crafting kaleidoscopic house and techno, snap-clap digital dancehall, or impossibly
\nheavy dub, Scott continues to search for his own unique voice between the ones and zeros.<\/p>\n","protected":false},"excerpt":{"rendered":"
\nF\u00fcr Issue Nummer zwei haben wir Scott Monteith aka DEADBEAT aus Montreal f\u00fcr ein Live-Set eingeladen. House & Techno trifft auf
\nallerfeinste Dub Vibes. Gro\u00dfartige Beats und tiefste Bassfrequenzen sind typisch f\u00fcr den Wahlberliner, der uns mit seinem Album
\nROOTS AND WIRE auf WAGON REPAIR bereits in 2008 \u00fcberzeugte. Nachdem Scott 7 Alben ver\u00f6ffentlicht hatte, startete er in 2011 sein
\neigenes Label BLKRTZ, um seinen Entwurf von dubbiger Clubmusik noch weiter nach seinen Vorstellungen zu entwickeln.
\nWir freuen uns EXTREMST auf ein Live Set der ersten Produktionsliga…
\n Continue reading